Executive Artistic Director and Founder
Alaina is a daring opera director, creator and producer challenging the mainstream of the classical music experience. She is the Founder and Executive Artistic Director of indie opera company Loose Tea Music Theatre where she collaborates with DJ’s, projection artist, choreographers and filmmakers to produce genre breaking productions.
She is dedicated to the exploration of cross-cultural, and social relationships. Through the use of opera and interdisciplinary performative arts, Alaina creates innovative and relevant music productions that explore critical social issues. This season Alaina won a Canada Council for the Arts Professional Development Grant to work with Ashlie Corcoran at the Arts Club Theatre in Vancouver to develop a framework for cognitive disabilities in Arts Leadership, board development and governance and as assistant director on Every Brilliant Thing.
“The stunning originality of Viau’s vision and a fully engaged, irrepressible cast grip the imagination.”
Opera Going Toronto
With Loose Tea, Alaina has directed re-imagined contemporary versions of Dissociative Me (Gounod’s Faust), Love in the Age of AutoCorrect (Mozart/Stravinsky) and La Tragedie de Carmen (Bizet). This season she premiered a critically acclaimed re-imagining of Bizet’s Carmen as #YesAllWomen that disected gender equality, class society and the societal and impacts of gendered based violence and post-traumatic stress disorder. This season also saw the premiere of Singing Only Softly, a new opera inspired by the redacted and missing pages of Anne Frank’s diary by Cecilia Livingston and Monica Pearce.
Alaina created the hilarious improv opera show “Whose Opera is it Anyway?” that has toured to sold out houses and was recently running as a monthly show in Toronto. From the success of the show, she developed a Music Theatre improv workshop for the vocal and piano studios at Queen’s University.
“A high energy, brilliantly designed workshop…out of the box Music Theatre at its most engaging!”
The summer of 2018 saw Loose Tea partner with Toronto Summer Music Festival on a fully staged version of L’Histoire du Soldat and designs for Quartet for the end of Time at Koerner Hall.
In the 2018-2019 Season, Alaina was the resident director at Toronto City Opera presenting the opera cannon in daring new ways: The Marriage of Figaro in December 2018 and Traviata in March 2019, with a remount of Traviata at the Opera Muskoka Festival that summer. She has directed and designed HausMusik for Tafelmusik Baroque Chamber Orchestra and was Artistic Director for two seasons at SOPAC Ottawa presenting Suor Angelica, Pagliacci and Cendrillon. She also directed/designed a post apocalyptic L’isola Disabitata for Thirteen Strings Chamber Orchestra in Ottawa for their 40th anniversary Concert.
Alaina a member of Indie Opera Toronto and Loose Tea Music Theatre a member of TAPA, Opera Canada and Opera America.
“Always searching and provocative direction of Alaina Viau”
For more information visit www.alainaviau.com.
Joanna Diindiisikwe Simmons
Joanna is a Saugeen Ojibwe artist from Lindsay, Ontario. Joanna is a professional opera singer and is a graduate of the Glenn Gould School of Music (Glenn Gould) of The Royal Conservatory. She completed her studies in the four-year Performance Diploma Program and the two-year Artist Diploma Program at Glenn Gould. Joanna has been involved in operas such as The Cunning Little Vixen by Janacek and in 2015 performed the role of Oberto in Handel’s Alcina presented in Toronto’s Koerner Hall at the Telus Centre. Joanna performed at the 2015 Pan Am Games opening ceremonies with Cirque du Soleil and the 2015 ParaPan-Am Games opening ceremonies with production company B5C. Joanna sang the lead role of Sara Riel in the Canadian Opera Company’s production of Louis Riel in 2017. In October and November of 2019 Joanna sang the lead role of Native Girl in Pacific Opera Victora’s tour of Missing, a story based on missing and murdered indigenous women and girls in Canada. Missing is a chamber opera with libretto by Marie Clements, music by Brian Current and directed by Peter Hinton. Currently, Joanna works for The Dance Umbrella of Ontario as office coordinator, sits on the Board of Directors for the Mississauga’s Children’s Chorus, and is involved with the Harmony Collaboration as both mezzo soprano soloist in the roles of Grandmother Moon and Muskrat in their production of FIRST as well as their Performing Arts Liaison.
Joanna is actively involved in the indigenous community throughout Ontario and this upcoming year Joanna will be teaching theatre lessons with the youth at the Mississaugas of the Credit First Nations. Joanna is excited for the future of indigenous involvement in the arts and looks forward to playing an integral role in the evolution and advancement of indigenous engagement within the arts in Canada.
Tim is a highly motivated and energetic arts and culture administrator, with ten years of experience in marketing, sales, communications, and general management of both large and small classical music organizations. He is a driven problem-solver, especially with regards to issues facing arts and culture organizations in Canadian communities. He believes in creating structures and processes to make visions become a reality, and wishes to instill a sense of entrepreneurialism in all artists. Previously he held positions at institutions such as Tafelmusik Baroque Orchestra, and Soundstreams. He is also the Digital Communications lead at the Bloor St. Culture Corridor, is the Treasurer at Guild Festival Theatre, and volunteers for the Juno Awards, Orchestras Canada, and the Kawartha Lakes Arts Council.
Director of Marketing
Karen is an enthusiastic and values-centered professional with a background in arts administration and over 15 years experience working in communications, branding, and special projects. In marketing roles with the Toronto Symphony Orchestra, The New Classical 96.3FM, and Norm Li Architectural Visualization, she’s helped these companies connect with patrons through engaging content and experiences. Karen believes that honest storytelling creates belonging. She is passionate about cultivating compassion by embracing our common human condition through creative expression and intentional listening. She also has her own authenticity coaching business in which she works with artists to integrate their unique gifts and share their value with the world. Karen is excited to bring it all together and looking forward to furthering LTMT’s mission in this next chapter. (Photo credit: Victoria Schwarzl)
Director of Development
Francesco is a fundraising professional, having worked with organizations large and small from the Ottawa School of Art to the Canadian Opera Company. An undergraduate degree in FIne Art History from the University of Toronto provided a springboard for his work in culture that has also included co-founding Festival X, the now-defunct photography festival in Ottawa. Francesco is excited to work with the team at Loose Tea Music Theatre to change the face of opera.
Board of Directors
Alan Viau – President
Melissa Chetty – Vice-President
Natasha Bood – Treasurer
Kendal Lander – Secretary
Rebekah Lobosco Gilli